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Street Voice - Art No. 423/2024
Street Voice - Art No. 423/2024
Street Voice - Art No. 423/2024
Street Voice - Art No. 423/2024

Street Language - Art No. 423/2025

Rs.17,400.00 - Rs.29,900.00

"The language of the streets is always strong."

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Product Details
These are fine art reproductions of my original paintings.
They are limited edition paintings.
  1. Paper: Archival Rag watercolour paper
  2. Frames: High quality frame
  3. Mount: Acid-free, mould-free mounts.



This expressive pen and watercolour artwork dives into the raw, unfiltered energy of urban expression. Featuring graffiti-inspired human figures and stark monochrome contrasts, it evokes the spirit of alley walls, resistance, and identity. The word "BABA" scrawled across the composition reads not just as a name, but as a symbol of presence—a cry, a claim, a voice echoing from concrete corners. The figure’s etched clothing hints at tribal, coded patterns—markings that resist silence.

Paired with the quote: “The language of the streets is always strong.”

the work becomes a visual manifesto—an ode to street art, protest, and the invisible yet booming voices that cities carry in their walls. This painting speaks of the power of the overlooked, the graffiti that carries wisdom, rebellion, and poetry. It suggests that art doesn’t always need to be polished to be powerful—it needs to be real.


Aesthetic Placement:
This piece demands bold, thoughtful placement in environments that respect edge, activism, and raw creativity:

  1. Art Galleries or Street Art Exhibitions: Especially in shows that explore contemporary urban life, identity, or resistance.

  2. Creative Workspaces or Studios: To spark unconventional thought and invite exploration of layered voices.

  3. Music Lounges or Indie Cafés: Especially those leaning into underground or alternative cultures.

  4. Graffiti-inspired Interiors or Industrial Loft Spaces: Where cement, exposed brick, or dark-toned walls allow the contrast to shine.

  5. University or Cultural Center Corridors: Particularly in departments of sociology, political studies, or urban design.


Presented in a floating frame or frameless mount, with matte black or rusted steel textures nearby, this painting thrives in spaces that don't shy away from complexity. It's best viewed in areas that welcome conversation and contemplation—because this piece speaks, and it wants to be heard.


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